O que se diz lá fora sobre KEYHOLE, de Guy Maddin:
«Maddin's singular humor and fabulous black-and-white mise-en-scene can't sustain this fever dream beyond its initial fascination, making for an intriguing transitional work unlikely to broaden his audience.»
Justin Chang, Variety.
«To a die-hard Maddinite this may be a little disappointing, but for that reason KEYHOLE may also be a perfect gateway into the bizarre and fertile world of a unique film artist.»
A.O. Scott, The New York Times.
«An exercise in opaque supernatural storytelling that's as frustrating as it is beguiling.»
David Rooney, The Hollywood Reporter.
«KEYHOLE's flashes of actual B-movie coherence are enough to make longtime Maddin-watchers wonder if he could've played this material straighter, with more of a plot and fewer reveries.»
Noel Murray, The A.V. Club.
«KEYHOLE never comes together, but that's part of Maddin's creed. He makes movies about movies to express his love for movies, which is to say he makes movies about himself.»
Eric Kohn, indieWIRE.